A Very Brief History of Monotheism

Monotheism is an intellectually attractive representation of the ‘God’ concept. It stands behind such great works as the Torah and the New Testament; it is the soul of Israel’s Judges and Prophets, and it was inspiration for Augustine, Aquinas, Maimonides and Avicenna.

But politically, it’s a tough sell. The enigmatic pharaoh, Akhenaten (d. 1370 BCE), was one of the first recorded advocates for the one-God (‘Aten’) hypothesis in the Western world. He is loosely, perhaps mythologically, associated with the Hebrew Exodus and the growth of the ancient Greek settlement at Thebes. 

It is certainly attractive to imagine Moses (c. 1250 BCE) as heir to Akhenaten’s monotheism, but intellectual history is rarely quite so neat. In any event, Akhenaten’s attempts to reform the Egyptian belief system did not end well. 

Upon his death, his social reforms were quickly unwound…and the monotheism he was selling? No one was buying it! (Except perhaps the Hebrew slaves.) 

The details of Akhenaten’s demise remain unknown – suspicious in itself for a society that kept such good records and typically treated its dearly departed pharaohs to a ‘divine’ send-off.  

Akhenaten’s body was never placed in the tomb he had built for himself. (Is an empty tomb to be the common fate of all great monotheists?) To this day, his remains have never been reliably identified. Plus, in a manner reminiscent of a Stalinist purge, all public reference to the reformer ceased upon his death. 

Of course, the fact that he was succeeded by his much more famous son, Tutankhamun (‘King Tut’ to you), a staunch polytheist, could not have helped. One thing for sure, Tut’s flair for pomp more than made up for his father’s more austere style of statecraft.

So, what did happen to Akhenaten? The most probable hypothesis is that he was deposed, assassinated, and buried in an unmarked grave (or, possibly left unburied, like Polyneices in Sophocles’ Antigone).

Following Akhenaten’s fall, the Egyptians were only too eager to restore the many gods of the Pantheon to their rightful status. Which leads us to Moses. Irrespective of his origin, there is little doubt that the Hebrew Exodus brought monotheism to the Near East, but again, not without a terrible struggle.

Not long after their historic Exodus from Egypt under the leadership of Moses and his brother Aaron, the rank and file were caught smelting a Golden Calf to replace the existential YHWH (I am who am). And once secure in the Promised Land Israel’s leaders constantly, and often in vain, struggled to keep the people from worshiping the local Canaanite deities (the Baal). 

Fast forward 1500 years. Judeo-Christian monotheism is finally gaining the upper hand in its struggle with Greco-Roman paganism. What a film! YHWH vs. the Olympians! Polytheism sure dies hard. How come? What’s the attraction? 

The concept of God shared by the People of the Book (Jews, Christians and Muslims) is relatively abstract. We even apply terms such as ‘transcendent’ and ‘ineffable’ to describe God’s relationship with the world. 

The Pagan gods of Europe, in contrast, intervene much more obviously in the mundane events of everyday life…and they are apt to do so capriciously. They are quick to anger, slow to forgive. Their concept of Justice is Draconian, more so even than ancient Talionic Law (‘an eye for an eye’). 

The Greco-Roman gods are motivated by pride, lust, and jealousy…like us. They can be manipulated, even tricked, like us.  We like to think of ourselves as ‘made in the image of God’; but the Olympians are clearly made in our likeness. They behave like we do. They are more akin to the Marvel Superheroes of modern mythology than they are to St. Paul’s abstract, “unknown” God. (Acts 17: 23 – 31)

Now skip ahead another 1,000 years to Florence, Italy toward the end of the 15^th century CE. The first shoots of the Renaissance are visible everywhere. And what is it that is being reborn? Athenian democracy? Spartan heroism? Roman jurisprudence? Of course not! What is being reborn is, you guessed it…polytheism (passed off as a revival of Classical culture)!

But not without a fight. In the tradition of Akhenaten, Moses, and the Fab Four (John, Paul, Mark and Jesus), one man makes one last attempt to overcome ‘modernism’ by putting Christendom on a more secure anthropological footing. The man’s name: Savonarola. 

The death of Lorenzo de' Medici (1492), the French invasion of Italy and the subsequent expulsion of the Medici from Florence (1494) created a power vacuum into which Florence’s ‘spiritual leader’ was prepared to step.

Preaching that Florence could become a “New Jerusalem”, he established a theocratic republic in the city. Perhaps anticipating the Protestant Reformation, the friar advocated for broad reform in the Church, condemning papal corruption and the practice of simony.

“The People’s Government” did not last long. By 1497, the reactionary forces of status quo ante were gathering strength. Arrested in April 1498, he was tried for heresy and schism, convicted and sentenced to death. On May 23, 1498, he was hanged in Florence's Piazza della Signoria, his body then burned, and his ashes scattered in the Arno River, presumably to prevent his followers from collecting relics and visiting his tomb.

The republican form of government continued in Florence until 1512 when the Medici family returned to prominence. However, following Savonarola’s execution, a new constitution, eliminating the theocratic elements of the 1494 republic, was adopted. The ‘Reign of God’ had ended once and for all in Europe.

The tumultuous events of 1498 created a second vacuum which was quickly filled by the younger, more secular and more pragmatic Machiavelli. The author of The Prince did not advocate polytheism, but he did advocate divorcing ethics from politics. Just imagine how popular he would have been in today’s world!

Machiavelli’s rise to power, politically and intellectually, kicked off a 500 year period of ‘rational pragmatism’. The material quality of life improved markedly. Now that God was ‘out of the way’, folks could pursue economic advantage unencumbered by eschatological angst. 

“There’s an app for that!” The magical, mystical world of the Middle Ages was suddenly transformed into a tangled web of levers and pulleys. “Press here and receive a reward.” Our new gods reside, not on the top of Mount Olympus but in La Technique – the tools and processes of the material world. Once again, civilization has descended into a version of polytheism, and we are all poorer as a result. 

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Julie Mehretu’s Stadia II (2004) transforms the architecture of stadiums into a vast, abstract swirl of color, line, and form that evokes both celebration and chaos. Layers of transparent marks and vector-like arcs suggest flags, maps, and digital interfaces—symbols of modern life’s speed and multiplicity. The painting captures the tension between collective energy and information overload, turning the visual language of globalization into a meditation on the complexity of contemporary experience.